How does the director of Hotel Rwanda use cinematographic techniques to develop tension in Paul’s ‘Epiphany’ scene?
In the film Hotel Rwanda directed by Terry George, there is a variety of techniques used in order to create this idea of tension in a film that is telling an event of history where one single race was separated into two classes of people that were all the same. These classes of people were called the Tutsi and the Hutu. When the Belgians colonised Rwanda in 1916 the Tutsi’s were in charge, they were recognised for their light skin and thin noses. Then after the Belgians left the Hutu’s took charge, they were identified for their dark skin and thick noses. The Hutu were in seek of revenge and so a determined genocide begins in order to be “clear” of all Tutsi’s and many Tutsi men, women and children get killed without any sign of compassion.
One of the many techniques that Terry George uses in Paul’s ‘epiphany’ scene is sound effects. Sound effects does exactly what it sounds like, it adds effect to a scene, through the power of sound. In this case there is consistent sounds throughout the whole scene. Just past the beginning of the scene at the precise time of 00:45, sound effects come into the scene making cricket and animal noises. This is adding tension by making the setting like if Paul and Gregoire took a route that they wasn’t supposed to take and by making it sound like if something bad will be revealed or something bad will happen to them. This makes it feel like a lifeless place where there is no humanity, this is truly accurate as it turns out that there was likely half of the Tutsi population dead with no living soul except from Paul and Gregoire in that one scene.
Another cinematographic technique Terry George uses to create more tension is camera shots and angles. when the camera angle is at POV as Paul is looking at the river road with all the dead bodies, this allows to see what Paul is seeing but not only that. It makes us feel exactly what Paul is feeling, we can refer to all of his emotions and we get similar ones by feeling like Paul. At this point Paul has just realised a rough number of how many Tutsi’s have died. This adds more tension in Hotel Rwanda as we gradually realise that “half” of the Tutsi’s are dead, We feel nervous about what is going to happen next. This is a tense situation as we are brought closer to Paul’s feelings and it gives us a sense that were in danger as we are nervous. This also gets us more involved in the film and turns the film even more interesting.
In my opinion one of the smartest techniques that Terry George has used is the power of facial expressions and body language. At the beginning of the scene at the time of 00:25 when George is trying to convince Paul to “help” him by giving him some Tutsi’s referring to them as ‘cockroaches’, his facial expression and his body language was telling us that he was feeling stressed and anxious, at this point he had a lot to worry about and we could tell. His body language of not looking at George as he speaks was almost giving us an idea that he was confused and could be about to give up. This is creating a more tense situation as we fear for Paul and what he might do, he could make a decision in order to save others or to save himself and it might not always be the ‘right’ decision. Another time that his facial expression affects the tension is at the end, time of 02:16 where he sees all the dead bodies along the road, at this point his facial expression is disgusted. This is how the director of Hotel Rwanda uses facial expressions and body language to create tension in Paul’s ‘epiphany’ scene.
(1)The director uses focus in Paul’s ‘epiphany’ scene to control the audiences apprehension of the true horror on the river road. Paul begins to realise at this point that George’s statement that the road was “clear” was deeply ironic. Mid scene, Paul is shown in the right of the frame in clear focus as he recovers from falling into the body of the dead child , in the background the bodies are still visible, but only indistinctly – out of focus. This adds to the tension in Hotel Rwanda because we are gradually realising that these are dead bodies, but we still have hope that this may not be true. We are brought closer to Paul’s psychological experience where his denial of the true extent of the Genocide is being replaced by a realisation of the truth.
These techniques that have been mentioned and explained have all been used by Terry George in order to create a strong effect of tension, this keeps the audience more involved and nothing could be expected to happen next.
(1) Christopher Waugh/Class 19.05.16
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